Edvard Munch
The Kiss IV
Edvard Munch
The Kiss IV, 1902
Woodcut on Japanese Paper
Courtesy of The Art Institute Chicago
A fitting image for anniversaries or Valentine’s Day, this work captures passion not as spectacle, but as surrender. Two figures dissolve into one another - faces blurred, bodies cloaked in shadow - as if union eclipses everything else. Munch’s signature psychological tension lingers, but here it yields to intimacy: a moment suspended between ecstasy and disappearance.
Currently held by the Clarence Buckingham Collection, The Art Institute Chicago.
Edvard Munch
The Kiss IV
Edvard Munch
The Kiss IV, 1902
Woodcut on Japanese Paper
Courtesy of The Art Institute Chicago
A fitting image for anniversaries or Valentine’s Day, this work captures passion not as spectacle, but as surrender. Two figures dissolve into one another - faces blurred, bodies cloaked in shadow - as if union eclipses everything else. Munch’s signature psychological tension lingers, but here it yields to intimacy: a moment suspended between ecstasy and disappearance.
Currently held by the Clarence Buckingham Collection, The Art Institute Chicago.