Edvard Munch
The Day After, 1895
Oil on canvas
Courtesy of the National Gallery Oslo
The hangover is as old as humanity itself, and Munch captures the day-after daze in his customary haze: thinned paint, rubbed edges, unstable contours. Wine-stained color appears almost exhaled onto the canvas, applied in a moment of spent breath. Framing surrender as necessity rather than failure, this card is for the friend who spends their Sundays horizontally, and knows better than anyone that life is one long rally.
Courtesy of the National Gallery Oslo
Edvard Munch
The Day After, 1895
Oil on canvas
Courtesy of the National Gallery Oslo
The hangover is as old as humanity itself, and Munch captures the day-after daze in his customary haze: thinned paint, rubbed edges, unstable contours. Wine-stained color appears almost exhaled onto the canvas, applied in a moment of spent breath. Framing surrender as necessity rather than failure, this card is for the friend who spends their Sundays horizontally, and knows better than anyone that life is one long rally.
Courtesy of the National Gallery Oslo