The Progress of Poesy
William Blake
The Progress of Poesy, 1797
Watercolor, pen, black ink and graphite on paper
Courtesy of the Yale Center for British Art
A rainbow arches, but the sky doesn’t soften. In this illustration to Thomas Gray’s Pindaric Ode, William Blake casts the imagination as ascent: spectral muses float above a dreaming figure, while another stands poised between awe and surrender. Thought and vision meet in watercolor light. Send to someone who’s reaching - beyond the limits of a vulgar fate.
This artwork is currently held by the Yale Center for British Art, Paul Mellon Collection.
William Blake
The Progress of Poesy, 1797
Watercolor, pen, black ink and graphite on paper
Courtesy of the Yale Center for British Art
A rainbow arches, but the sky doesn’t soften. In this illustration to Thomas Gray’s Pindaric Ode, William Blake casts the imagination as ascent: spectral muses float above a dreaming figure, while another stands poised between awe and surrender. Thought and vision meet in watercolor light. Send to someone who’s reaching - beyond the limits of a vulgar fate.
This artwork is currently held by the Yale Center for British Art, Paul Mellon Collection.
From the people who send them
The handwriting doesn't look printed. My mom asked if I'd written it myself. I said yes.
— Blake, LA
Arrived in four days. I'd braced for longer.
— Ian, Chicago
Sent it to a friend I hadn't seen since college. He sent me a photo of it on his side table a week later.
— Dave, Philly
My wife sent it to me on a random Tuesday. No occasion. That was the point.
— Eddie, Tampa
Kept it on my shelf next to my books. Doesn't look out of place. That's the highest compliment I can give a card.
Chelsey, New York
My little brother graduated in May. I live across the country. This was the closest I could get to being there.
— Jared, Chicago
Put one in every welcome bag for a networking event I hosted. Got emails afterward asking how I'd handwritten them all. I told them my secret.
- Carly, Ft. Lauderdale
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