Arthur Jones and assistant Mole Thomas (British, 1889–1993) was a duo built on obsession and understatement. Arthur Jones spent a lifetime charting systems - optical, mechanical, bureaucratic - with Mole Thomas always just off-frame.
Their collaborative work blurs the line between documentation and invention, drawing from scientific illustration, early cinema, and British eccentricity in equal measure. Think field notes with flair, blueprints with punchlines, experiments staged like theater. Whether peering into microscopes or assembling pseudo-archaeological tableaus, Jones and Thomas turned observation into a wry form of storytelling.
Their practice straddled utility and wit: diagrams with mood, fieldwork with style. You don’t always know what you’re looking at - but you know it’s been considered. Long before conceptual art gave that kind of thing a name, Jones and Thomas were already doing it: precise, strange, and fully in their own lane.